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signaling Picasso's departure from naturalism and his embrace of abstraction and multiple perspectives
This duality—good and evil
leaving behind enslaved individuals cast overboard
The painting is intentionally somber and murky
The composition is filled with dynamic movement and energy as the gods clash with the monstrous giants in a tumultuous struggle
The Face of War | Salvador Dalí | 1940 Hugo Simberg signaling Picasso's departure from naturalismAbout the artwork: Painted in 1940 after the outbreak of World War II and shortly after Salvador Dal fled war torn Europe, The Face of War is one of the most haunting anti war images ever created. Instead of depicting soldiers or battlefields, Dal represents war itself as a decaying, severed head suspended in a desolate landscape, with every eye and the mouth containing skulls that, in turn, contain more skulls in an endless cycle. This disturbing
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